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Showing posts with label <b>inaugural poetics</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a>
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<div class='status-msg-hidden'>Showing posts with label <b>inaugural poetics</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a></div>
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<h2 class='date-header'><span>Tuesday, January 22, 2013</span></h2>

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<span style="font-family: Arial, sans-serif; line-height: 150%;"><br /><br /><a href="//www.youtube.com/watch?v=AkSRy8SGTEE" style="font-family: Arial, sans-serif; line-height: 150%;"><span style="color: black;"><b>Richard
Blanco&#8217;s</b></span></a></span></div>
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inaugural poem,<br />
<a href="http://www.latimes.com/news/politics/la-pn-inauguration-2013-richard-blanco-poem-20130121,0,5626688.story"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">One
Today</span></a><o:p></o:p></span></div>
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<span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 10.0pt; line-height: 150%; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;"><a href="http://www.poetryfoundation.org/harriet/2013/01/the-national-mall-washington-d-c/"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Travis
Nichols</span></a><br />
on the challenge of the <a href="http://www.cnn.com/2013/01/20/opinion/blanco-inaugural-poet/index.html"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">inaugural
poem</span></a><o:p></o:p></span></div>
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<span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 10.0pt; line-height: 150%; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;"><a href="http://www.voxxi.com/richard-blanco-latino-history-inaugural-poem/"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Latino</span></a>
makes <a href="http://www.huffingtonpost.com/2013/01/21/richard-blanco-_n_2521773.html"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">history</span></a><br />
in <a href="http://www.latimes.com/features/books/jacketcopy/la-et-jc-richard-blanco-inaugural-poet-20130110,0,5659886.story"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">several
ways</span></a><o:p></o:p></span></div>
<div align="center" class="MsoNormal" style="line-height: 150%; margin-bottom: .25in; text-align: center;">
<span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 10.0pt; line-height: 150%; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Folks complaining<br />
that <a href="http://mashable.com/2013/01/21/inauguration-poem/"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Richard
Blanco&#8217;s</span></a> inaugural <a href="http://mainlinemedianews.com/articles/2013/01/20/region/doc50fcaf663b3d0182316985.txt"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">poem</span></a><br />
didn&#8217;t rhyme<o:p></o:p></span></div>
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<span style="color: #0d0d0d; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 10.0pt; line-height: 150%; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;"><a href="http://www.poets.org/viewmedia.php/prmMID/23280"><span style="color: #0d0d0d; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #0D0D0D; mso-style-textfill-fill-colortransforms: &quot;lumm=95000 lumo=5000&quot;; mso-style-textfill-fill-themecolor: text1; mso-themecolor: text1; mso-themetint: 242;">Walt Whitman</span></a>
on the inauguration<br />
of Abraham Lincoln<o:p></o:p></span></div>
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<h2 class='date-header'><span>Tuesday, January 15, 2013</span></h2>

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<span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 10.0pt; line-height: 150%;">The next time a poet is
selected to perform a poem at a presidential inauguration on strictly literary
grounds will be the first. The carping after Richard Blanco&#8217;s selection tells
me more about those who complain than it does about Blanco. The same was true
for those who bemoaned and belittled Elizabeth Alexander, Miller Williams, Maya
Angelou, James Dickey &amp;, I dare say, Robert Frost. One might make the case
that Frost was selected for his pre-eminence as an American icon of poetry, but
one should keep in mind that JFK was a president who understood the value &#8211; in his
idyllic pre-Fox News single term &#8211; of positioning himself as an intellectual,
garnering a Pulitzer for a ghost-written volume of pop history &amp; preferring
in his own time to read James Bond novels. Ian Fleming may qualify as a
heavyweight alongside whatever the Bushies read, but when Kennedy got together
with Marilyn Monroe, it wasn&#8217;t the president who was the serious reader in the
room. And there never has been a white male inaugural poet who wasn&#8217;t selected
at least partly as a play on the regional card to boot: New England, Georgia,
Arkansas. <o:p></o:p></span></div>
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<span style="font-family: &quot;Arial&quot;,&quot;sans-serif&quot;; font-size: 10.0pt; line-height: 150%;">I don&#8217;t know what anyone
expects from an inaugural poem &#8211; the entire premise seems utterly cringe-worthy
to me &#8211; but signaling a broader inclusiveness in the American project is hardly
a bad idea unless you&#8217;re one of the old white guys for whose vote Mitt Romney
was campaigning. &nbsp;Since the resulting
poems tend toward flarf, perhaps the ideal might be some carved-up-blend of K
Silem Mohammad, Judy Grahn &amp; Simon Ortiz. In a sense, Blanco may just be
the gluten-free lo-cal version of that. It might be more fun to imagine the
field day Rush &amp; O&#8217;Reilly would have had close-reading &#8220;Europe&#8221; had John
Ashbery been selected, but really is it any different? With the exception of
LBJ, every Democratic president for the past half century has used the occasion
to signal that poetry is inside the tent, just as every Republican has spoken
far louder through its absence.<o:p></o:p></span></div>
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<h2 class='date-header'><span>Wednesday, February 04, 2009</span></h2>

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<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>A quick note here in response to something <a href="http://compassrosebooks.blogspot.com/"><span style='color:black'>Curtis <span class=SpellE>Faville</span></span></a> wrote in the comments stream to the links list of January 29:<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:.5in;margin-bottom:12.0pt;margin-left:.5in'><span style='font-size:10.0pt;font-family:Verdana;color:black'>Funny no one has mentioned [Larry] Fagin and [Clark] Coolidge's <i style='mso-bidi-font-style:normal'>On <span class=GramE>The</span> Pumice of Morons</i>, their parody of <a href="//www.youtube.com/watch?v=HDtw62Ah2zY"><span style='color:black'>Maya Angelou's 1993 Inaugural Poem</span></a> for Bill Clinton's first term. <br>
<br>
Surely no one has written a worse poem&#8211;<br>
<br>
&quot;Take it into the palms of your hands, <br>
Mold it into the shape of your most <br>
Private need&quot;<br>
<br>
Is one of my favorite worst lines. <span class=GramE>Tee-<span class=SpellE>hee</span>.</span>
<br>
<br>
Why has no one else &quot;<span class=GramE>risen</span>&quot; to the occasion to <span class=SpellE>parodize</span> this latest most pedestrian effort by the fake officialdom of literature</span><span style='font-size:10.0pt;font-family:Verdana'>?</span><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'><o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Ignoring for the moment the question of whether <span class=SpellE><i style='mso-bidi-font-style:normal'>parodize</i></span><i style='mso-bidi-font-style:normal'> </i>is what happens to the verb <i style='mso-bidi-font-style:normal'>parody </i>when it goes to </span><st1:country-region><st1:place><span   style='font-size:10.0pt;font-family:Arial;color:black'>France</span></st1:place></st1:country-region><span style='font-size:10.0pt;font-family:Arial;color:black'> and gets theory, I think the answer to Curtis&#8217; question is two-fold. The first is that people have done just that, albeit my understanding is that they&#8217;ve done so mostly by remixing MP3s of Elizabeth Alexander&#8217;s tortured reading style. At least I&#8217;ve seen references to same, tho I don&#8217;t recall linking to any.<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>But the second (and far more important) is that Alexander&#8217;s place in poetry is nowhere remotely akin to that of Maya Angelou, and that Alexander&#8217;s poem reflects none of the pomposity that left Angelou open to an attack such as that ventured by Fagin &amp; Coolidge. I&#8217;ve heard complaints over the years that <i style='mso-bidi-font-style:normal'>On the Pumice of Morons </i>was racist and/or sexist &#8211; I don&#8217;t think it was the former. Fagin &amp; Coolidge&#8217;s real crime lay in making excessive sport of someone who had already made herself ridiculous in public. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Nobody took such liberties with <a href="http://en.wikipedia.org/wiki/Miller_Williams"><span style='color:black'>Miller Williams</span></a> after his inaugural poem for <a href="http://www.australianpolitics.com/usa/clinton/speeches/miller.shtml"><span style='color:black'>Clinton&#8217;s second term</span></a>:<o:p></o:p></span></p>

<p style='margin-left:.5in;line-height:150%'><strong><span style='font-size:10.0pt;line-height:150%;font-family:Verdana;color:black'>Of History and Hope</span></strong><b><span style='font-size:10.0pt;line-height:150%;font-family:Verdana;color:black'><br>
</span></b><span style='font-size:10.0pt;line-height:150%;font-family:Verdana;color:black'><br>
We have memorized </span><st1:country-region><st1:place><span style='font-size:10.0pt;line-height:150%;font-family:Verdana;color:black'>America</span></st1:place></st1:country-region><span class=GramE><span style='font-size:10.0pt;line-height:150%;font-family:Verdana;color:black'>,</span></span><span style='font-size:10.0pt;line-height:150%;font-family:Verdana;color:black'><br>
how it was born and who we have been and where.<br>
In ceremonies and silence we say the words<span class=GramE>,</span><br>
telling the stories, singing the old songs.<br>
We like the places they take us. Mostly we do.<br>
The great and all the anonymous dead are there.<br>
We know the sound of all the sounds we brought.<br>
The rich taste of it is on our tongues.<br>
But where are we going to be, and why, and who?<br>
The disenfranchised dead want to know.<br>
We mean to be the people we meant to be<span class=GramE>,</span><br>
to keep on going where we meant to go.<br>
But how do we fashion the future? Who can say how<br>
except in the minds of those who will call it <span class=GramE>Now</span>?<br>
<span class=GramE>The children.</span> <span class=GramE>The children.</span>
And how does our garden grow?<br>
<span class=GramE>With waving hands &#8211; oh, rarely in a row &#8211;<br>
and flowering faces.</span> <span class=GramE>And brambles, that we can no longer allow.</span><br>
Who were many people coming together<br>
</span><span style='font-size:10.0pt;line-height:150%;font-family:Verdana'>cannot become one people falling apart.<br>
Who dreamed for every child an even chance<br>
cannot let luck alone turn doorknobs or not.<br>
Whose law was never so much of the hand as the head<br>
cannot let chaos make its way to the heart.<br>
Who have seen learning struggle from teacher to child<br>
cannot let ignorance spread itself like rot.<br>
We know what we have done and what we have said,<br>
and how we have grown, degree by slow degree,<br>
believing ourselves toward all we have tried to become &#8211;<br>
just and compassionate, equal, able, and free.<br>
All this in the hands of children, eyes already set<br>
on a land we never can visit &#8211; it isn't there yet &#8211;<br>
but looking through their eyes, we can see<br>
what our long gift to them may come to be.<br>
If we can truly remember, they will not forget.<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>I challenge anyone to think of a worse line than <span class=GramE><i style='mso-bidi-font-style:normal'>The</i></span><i style='mso-bidi-font-style:normal'> disenfranchised dead want to know</i>.<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>But <a href="http://lucindawilliams.com/"><span style='color:black'>Lucinda&#8217;s</span></a> dad has always been someone who took his quietism seriously. A much more diligent formalist than the poem here (<i style='mso-bidi-font-style:normal'>And how does our garden grow?</i>) might suggest, Williams has stuck with the same mid-tier college publishers he&#8217;s been with his entire career. There were no parodies of this timeless epic perhaps because it took care of the job itself. And there was no real target. By 1993, Angelou had been receiving the usual trade press prize nominations &#8211; National Book Award, Pulitzer &#8211; for over 20 years. Not so Williams, tho he was at least Angelou&#8217;s equivalent in experience. <span class=GramE>And not so, Alexander.</span> <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>The other dramatic difference between Angelou in 1993 &amp; Williams four years later &amp; Elizabeth Alexander&#8217;s experience this past month has to do with the changes in communication that have taken place since the mid-1990s. Angelou&#8217;s &#8220;On the Pulse of Morning&#8221; predates even the Buffalo Poetics List, the first serious attempt at a listserv for poets just then starting to come online with email, by over ten months. While Tim Berners-Lee had written the code for the first World Wide Web server in 1990, the first true browser, NCSA&#8217;s Mosaic, wasn&#8217;t released until the middle of 1993. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>I don&#8217;t think that any of us &#8211; not even the worst acolytes of <span class=SpellE>futurephilia</span> &#8211; entirely appreciates what happened there. When Angelou read her piece on television in 1993, it accorded her a concentrated boost of media exposure that had been unheard of in American poetry since, at least, Robert Lowell&#8217;s face on the cover of <i style='mso-bidi-font-style:normal'>Time </i>magazine in 1964. The only way Fagin &amp; Coolidge could respond was via a chapbook, with its belated arrival &amp; dodgy distribution. Against the one-time millions who saw Angelou on television, and the somewhat smaller number who ultimately purchased the Random House edition of <i style='mso-bidi-font-style:normal'><a href="http://tinyurl.com/d43ub7"><span style='color:black'>On the Pulse of Morning</span></a>, </i>Fagin &amp; Coolidge had a response that figured at best in the hundreds. As that link to Angelou&#8217;s edition notes, there are at least 30 copies of that puppy floating around used book emporia some 16 years later. <span class=SpellE>Abebooks</span> turns up nada, zero, <span class=GramE>zip</span> for <i style='mso-bidi-font-style:normal'>On a Pumice of Morons. </i><o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Within five days of the inauguration, I was able to post Elizabeth Alexander&#8217;s video from her appearance on the <i style='mso-bidi-font-style:normal'>Colbert Report. </i>Where response to Angelou&#8217;s poem was constrained by access to existing media &#8211; I&#8217;m unaware of any &#8220;the empress has no clothes&#8221; reviews in such midcult venues as the <i style='mso-bidi-font-style:normal'>New York Review of Books </i>&#8211; which left it to Fagin &amp; Coolidge &amp; copies sold at the counter at such shops as City Lights, Moe&#8217;s &amp; Cody&#8217;s to note the cloying mawkishness, Alexander&#8217;s poem &#8211; arguably the best one ever read at an inauguration, regardless of its limitations &amp; her profoundly inauthentic reading style &#8211; was critiqued &amp; put down from a wide range of positions almost immediately. <o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>One of the issues confronting all mainstream media in 2009 is precisely an inability to control access to commentary. Just as the rise of cable has gutted broadcast television, the rise of the net is having a direct impact on institutions &#8211; trade publishers, bookstores, libraries, newspapers &#8211; that have all been complicit with regards to the question of concentration of resources. Do-it-yourself commentary fundamentally changes the equation. While this presents issues for younger poets &#8211; how to construct an audience being the obvious one &#8211; it also presents profound opportunities. <o:p></o:p></span></p> 

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>I noted here the other day that Arielle Greenberg &amp; Rachel <span class=SpellE>Zucker&#8217;s</span> <i style='mso-bidi-font-style:normal'><a href="http://100dayspoems.blogspot.com/"><span style='color:black'>Starting Today</span></a></i> website, with its 100 poems for the first 100 days of the Obama administration, almost exactly duplicates Stephen Vincent&#8217;s parallel project, <i style='mso-bidi-font-style:normal'><a href="http://tinyurl.com/anfu6g"><span style='color:black'>Omens from the Flight of Birds</span></a>, </i>for the first 101 days of the Carter regime in 1976. Both projects are, I suspect, fraught with the same difficulties &#8211; I dare <a href="http://100dayspoems.blogspot.com/2009/02/day-14-cornelius-eady.html"><span style='color:black'>Cornelius <span class=SpellE>Eady</span></span></a> not to cringe at the sight of his own sloppy sentimentality in a quarter century, regardless how praiseworthy the notion &#8211; but it makes infinitely more sense, time-wise, distribution-wise, and ultimately project-wise, to do this on the web. That isn&#8217;t going to help <span class=SpellE>Eady</span> or Alexander any, but it will change what we do in the long run, and the ways that we do it. Just having access to every inaugural poem since Robert Frost shuffled his around &amp; recited one that Kennedy had requested (and that Frost remembered) rather than the one he&#8217;d written ought to give future sacrificial poets pause for thought. <o:p></o:p></span></p>
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<h2>Email</h2>
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<li>silliman AT gmail DOT com</li>
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<h2>Silliman Sites</h2>
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<li><a href='http://www.poets.org/poet.php/prmPID/1544'>Academy of American Poets</a></li>
<li><a href='http://epc.buffalo.edu/authors/silliman'>Electronic Poetry Center</a></li>
<li><a href='http://www.facebook.com/ron.silliman'>Facebook</a></li>
<li><a href='http://www.goodreads.com/search/search%3Fsearch_type%3Dbooks%26search%5Bquery%5D%3Dron%2Bsilliman'>GoodReads</a></li>
<li><a href='http://www.english.illinois.edu/maps/poets/s_z/silliman/silliman.htm'>Modern American Poetry</a></li>
<li><a href='http://writing.upenn.edu/pennsound/x/Silliman.php'>PennSound</a></li>
<li><a href='http://www.pcah.us/the-center/grants-awarded/grantees-1998-ron-silliman/'>Pew Fellowships in the Arts</a></li>
<li><a href='http://www.poetryfoundation.org/archive/poet.html?id=6323'>Poetry Foundation</a></li>
<li><a href='http://ronsillimanbibliography.blogspot.com/'>Silliman's Bibliography</a></li>
<li><a href='http://www.spdbooks.org/Search/Default.aspx?AuthorName=Ron+Silliman'>Small Press Distribution</a></li>
<li><a href='http://eclipsearchive.org/projects/TOTTELS/'>Tottel's</a></li>
<li><a href='http://twitter.com/ronsilliman'>Twitter</a></li>
<li><a href='http://www.ubu.com/contemp/silliman/index.html'>Ubuweb</a></li>
<li><a href='https://library.ucsd.edu/speccoll/findingaids/mss0075.html'>UC San Diego Archives</a></li>
<li><a href='http://en.wikipedia.org/wiki/Ron_Silliman'>Wikipedia</a></li>
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<h2 class='title'>Ketjak</h2>
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<a href="http://www.ucpress.edu/books/pages/10742.php">I: The Age of Huts<br /><br /></a>             <a href="http://www.ucpress.edu/books/pages/10742.php"><img src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh6.googleusercontent.com/proxy/u_VsYLU9NS_tJXOrl6A4RM1Dne7QkuSslpBc0StgKSXXoIDStYoXqSwDo2tuxST00QD3ynVJH4yjAhcEzTWyM0F_RriCRx9yZdyygceY2wm-%3Ds0-d" /></a><br /><br /><br />II: Tjanting<br /><br /><a href="https://www.saltpublishing.com/products/tjanting-9781876857196"><img src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh4.googleusercontent.com/proxy/efy1lIcVIKeKSdy_WUDIxV8WLN0OJmA3f7enQ2XDwxwt7Bh5ssfQQAkW_o4oG6FqrB1RGf7CX-Rw-VQ4u36RIuwSsCMxWjjHFDP4c7CbW2d_%3Ds0-d" /></a><br /><br /><br /><a href="http://www.uapress.ua.edu/product/Alphabet,1897.aspx">III: The Alphabet<br /><br /></a><a href="http://www.uapress.ua.edu/product/Alphabet,1897.aspx"><img id="ctl00_MainContent_ProductInfo1_ctl00_PrimaryImage_PrimaryImage" onclick="javascript:window.open(&#39;http://www.uapress.ua.edu//images/temp/212-1897-Product_LargeToMediumImage.jpeg&#39;, 1, &#39;resizable=1, width=500, height=700&#39;)" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh3.googleusercontent.com/proxy/OnaMjXm2h6XxneM04RgHx1Bkf2Wi9UE3a8c3o0NDvW5wXo7BK3MaM5VP9YfbEIpHYxAstTorwhNW4lhhkNuua5bDX7Ogr2UgZ1NMDDjeh-0bNnuo-WH-9pGHIR6lv-4-_UDHVNe36xB6%3Ds0-d" style="border: 1px solid Gray;" /></a><br /><div><br /></div><div>IV. from Universe</div><div><br /></div><div><br /></div><div><br /></div><div><br /></div>
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<h2 class='title'>Other Books in Print</h2>
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<span style="font-weight: bold;">MEMOIRS &amp; COLLABORATIONS</span><br /><a href="https://www.amazon.com/Leningrad-American-Writers-Soviet-Union/dp/1562790056">Leningrad</a><br /><a href="http://www.thegrandpiano.org/">The Grand Piano</a><br /><a href="https://www.saltpublishing.com/products/under-albany-9781844710515">Under Albany</a><br /><br /><span style="font-weight: bold;">CRITICISM</span><br /><a href="http://www.spdbooks.org/Producte/0937804207/the-new-sentence.aspx">The New Sentence</a><br /><br /><span style="font-weight: bold;">ANTHOLOGY</span><br /><a href="https://secure.touchnet.com/C22921_ustores/web/classic/product_detail.jsp?PRODUCTID=327&SINGLESTORE=true">In The American Tree</a><br /><br /><br /><br />
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<br /><img alt="" src="file%3A///Users/Lynn/Desktop/silliman2a.jpg" / /><img alt="" src="file%3A///Users/Lynn/Library/Caches/TemporaryItems/moz-screenshot.png" / /><span style="color: #990000; font-weight: bold;">RON SILLIMAN</span> has written and edited 40 books, and had his poetry and criticism translated into 16 languages. Silliman was a 2012 Kelly Writers House Fellow, the 2010 recipient of the Levinson Prize from the Poetry Foundation, a 2003 Literary Fellow of the National Endowment for the Arts, a 2002 Fellow of the Pennsylvania Arts Council, and a 1998 Pew Fellow in the Arts. Silliman has a plaque in the walk dedicated to poetry in his home town of Berkeley and a sculpture in the Transit Center of Bury, Lancaster, a part of the Irwell Sculpture Trail. He lives in Chester County, Pennsylvania and teaches at the University of Pennsylvania.<br /><br /><br /><br /><br /><br /><br />(c) 2002-2019 by Ron Silliman.
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